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Parade Explores Leo Frank’s Dark Legacy at Fox Theatre

A scene from the musical Parade depicting a courtroom atmosphere.

News Summary

The musical ‘Parade’ brings to life the harrowing story of Leo Frank, wrongfully convicted for the murder of Mary Phagan in 1913. Running from April 3 to April 6, 2025, this powerful production highlights themes of racism, antisemitism, and societal injustice. Directed by Michael Arden and featuring exceptional performances, ‘Parade’ immerses audiences in a chilling tale that resonates with present-day issues. As it recalls Frank’s wrongful conviction and lynching, viewers are prompted to reflect on historical injustices and their ongoing implications.

Parade Brings Dark History of Leo Frank’s Trial to Life at Atlanta’s Fox Theatre

Atlanta is the setting for the gripping musical “Parade,” which delves deep into one of the most troubling chapters of the city’s past. Running from April 3 to April 6, 2025, this powerful production unpacks the harrowing true story of Leo Frank, a Jewish factory superintendent wrongfully convicted in the 1913 murder of 13-year-old Mary Phagan.

A Tale of Injustice and Lynching

The narrative becomes even more chilling as Frank’s sentence is commuted, only for him to be brutally lynched by an angry mob. The musical intricately weaves together themes of injustice, racism, and antisemitism, making it painfully relevant in today’s societal landscape.

Creative Team and Production Design

Written by Atlanta native Alfred Uhry, with music and lyrics by Jason Robert Brown, “Parade” is directed by the esteemed Tony Award-winning director Michael Arden. The production creates an immersive atmosphere with a set that largely remains unchanged, featuring a courtroom surrounded by cast members positioned dramatically around the space. Projected images of historical documents and newspaper clippings serve to remind the audience of the real-life events that this musical is based upon.

Opening and Performance Highlights

From the outset, the show opens with a soldier preparing to join the fight for the Confederacy, setting a tone of pride interlaced with impending tragedy. Max Chernin takes on the role of Leo Frank, while Talia Suskauer portrays his devoted wife, Lucille. The chemistry between the two performers has garnered praise, heightening the emotional stakes throughout the production.

Theatrical Innovations

The trial scenes are executed through stylized movement, which electrifies the testimonies and immerses the audience in the courtroom drama. One particularly unsettling moment is when the prosecutor coerces young girls to testify against Frank, highlighting the manipulative tactics that sowed discord in the community. The musical does not shy away from raising tough questions about societal complicity in injustice.

A Raw Exploration of History

Despite its classification as a musical, “Parade” opts for a raw emotional exploration rather than providing uplifting conclusions or comfort. The Atlanta production carries particular weight, as local audiences are confronted with the shameful history that unfolds on stage. In 1986, the Georgia Board of Pardons and Paroles granted Frank a posthumous pardon, but this did not address the crux of his guilt or innocence.

Contemporary Connections

In 2019, the Fulton County District Attorney’s Office announced plans to reassess the Leo Frank case for potential flaws in the original trial. Meanwhile, Mary Phagan-Kean, a descendant of Mary Phagan, believes in Frank’s guilt, intensifying the ongoing debate. Most historians, however, argue that Frank was wrongfully convicted, with evidence suggesting Jim Conley as a more credible suspect.

The Urgency of the Story

Director Michael Arden emphasizes the need to connect this historical tale to present-day social justice issues. Audiences are forewarned about the themes of racism and antisemitism, although some have expressed that the theater could have better prepared them for the graphic moments, including depictions of a child’s murder and the lynching of Frank.

Critical Reflections

The show serves as a catalyst for critical thinking about how societal pressures can lead to a dangerous mob mentality. Upcoming performances include late shows on April 4 at 8 p.m., followed by matinees on April 5 at 2 p.m. and 8 p.m., and closing out with shows on April 6 at 1 p.m. and 6:30 p.m. Tickets for the remaining performances are currently available for those wishing to experience this gripping portrayal of a dark moment in Atlanta’s history.