News Summary
Since Jennifer Barlament’s appointment as Executive Director in 2016, the Atlanta Symphony Orchestra (ASO) has experienced substantial growth and financial stability. With a focus on community engagement, diversity, and innovative programming, Barlament has transformed the orchestra’s landscape, enhancing audience attendance and establishing a brighter future for classical music in Atlanta. The ASO has also made history with the appointment of its first female music director, further demonstrating its commitment to inclusivity and progress in the arts.
Atlanta Symphony Orchestra Soars Under Jennifer Barlament’s Leadership
Atlanta has witnessed an incredible transformation at one of its cultural jewels, the Atlanta Symphony Orchestra (ASO), since Jennifer Barlament stepped in as Executive Director back in 2016. Gone are the days of budget deficits and labor strife, and in their place, the ASO is now enjoying consistent annual budget surpluses!
Turning Financial Struggles into Surpluses
Thanks to Barlament’s visionary leadership, the ASO has not only stabilized its finances but also set a foundation for future growth. She rolled up her sleeves and got to work negotiating multiple contracts with the orchestra’s musicians. This dedication helped build a collaborative environment that fosters creativity and innovation. Now, instead of worrying about budget shortfalls, the orchestra can focus on what it does best: bringing beautiful music to the city.
Growing the Audience
One of the standout achievements during Barlament’s tenure has been the significant growth in audience attendance. More folks are filling the seats at the Woodruff Arts Center, excited to experience live orchestral performances. She has tapped into various community programs, ensuring that more people than ever feel connected to the orchestra. After all, what better way to foster love for classical music than by bringing it directly to the community?
Expanding Horizons with Community Programs
Under her watch, Barlament expanded community programming, making it a priority for the ASO. This included reaching out to underrepresented groups and introducing them to the world of classical music. Additionally, she successfully completed an endowment campaign, which is crucial for bolstering financial stability in the long run. This step not only provides a safety net for the future but also opens the doors for exciting new projects and initiatives.
A Commitment to Diversity
Barlament’s commitment to diversity in classical music shines brightly through her enhancement of the ASO’s Talent Development Program. This initiative specifically supports pre-college Black and Latinx classical musicians, providing them with the resources and opportunities to hone their craft. It’s a game-changer for nurturing future talent and ensuring that the world of classical music remains vibrant and diverse.
Breaking Barriers with Music Direction
In a major milestone for the orchestra and the industry, the ASO appointed Nathalie Stutzmann as its music director in 2022. As the first female music director of a major U.S. orchestra, Stutzmann’s appointment speaks volumes about the progressive changes happening under Barlament’s guidance. It’s a significant step towards greater equality within the realm of orchestras and serves as an inspiration for countless women pursuing careers in music direction.
A Solid Background in Music
Before leading the ASO, Jennifer Barlament brought her wealth of experience as the General Manager of The Cleveland Orchestra, which equipped her with the skills needed to navigate the complexities of managing a reputable orchestra. Her dedication to music extends beyond her managerial role; she actually studied clarinet under the ASO’s principal clarinetist, Laura Ardan. With impressive educational credentials—she earned a Bachelor’s degree from Emory University and a Master’s from the esteemed Eastman School of Music—Barlament is not just a savvy businesswoman but a true lover of music.
A Multifaceted Personality
Interestingly, her journey began in a completely different world. Her very first job involved indexing historic land deeds in the Liberty County Clerk of Court’s Office, a far cry from the world of symphonies and sonatas! When she’s not orchestrating music or penny-pinching for budget surpluses, she’s found with a rolling pin in hand, mastering the art of baking delightful pies. Plus, her travels to the eastern shore of Lake Michigan give her a breather from the bustling world of classical music.
Looking Ahead
In the coming years, Atlanta can look forward to even more exciting changes and innovations at the ASO. With Jennifer Barlament steering the ship, the symphony is poised to continue its upward trajectory while remaining dedicated to enriching the musical landscape of the city. Who knows what surprises await?
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Additional Resources
- Atlanta Magazine: Jennifer Barlament
- Discover Atlanta: Women Leading Atlanta Attractions
- Saporta Report: Atlanta Symphony Dreaming of New Home
- Syracuse.com: Jane Little Death Concert
- Atlanta Magazine: Jane Little Longest Serving Player
- Wikipedia: Atlanta Symphony Orchestra
- Google Search: Jennifer Barlament
- Google Scholar: Atlanta Symphony Orchestra
- Encyclopedia Britannica: Atlanta Symphony Orchestra
- Google News: Jennifer Barlament
